2 - 5k

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Waikoloa, Hawaii 1979

 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Waikoloa, Hawaii 1986 - before development

 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Waikoloa, Hawaii 1979

 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Waimea, Hawaii 2000

 

Oil & acrylic on canvas
30" h x 40" w

 

Acrylic on canvas with white float frame

26.5" h x 75.75" w

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboards are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes of boards, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Kauai, 1978

 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Kauai, 1978

 

Ceramic, lidded vessel with food safe glaze inside

Acrylic on canvas 

30" h x 40" w 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Onomea, Hawaii 2012

 

Oil & acrylic on canvas
30" h x 40" w

 

Film Photograph with Sepia Toner - Framed

 

Hand-painted paper collage, framed in black with museum glass

37" h x 26" w | 30" h x 22" w artwork

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers take a new form in this series looking at the simplicity of color. 

Hand-painted paper collage, framed in black with museum glass

37" h x 26" w | 30" h x 22" w artwork

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers take a new form in this series looking at the simplicity of color. 

Hand-painted paper collage, framed in black with museum glass

37" h x 26" w | 30" h x 22" w artwork

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers take a new form in this series looking at the simplicity of color. 

Original oil on canvas on panel
48" h x 30" w

Exploring abstraction and the subtle layering of whites, this elegant piece by Christian Enns is a major departure from his beautiful plein air landscapes, though the landscape form does reveal itself in the piece. Christian is an award-winning surfer who captures the energy of Hawaii in all his works. They grace private collections around the globe.

Original watercolor - unframed

22" h x 30" w

5” sphere on onyx stone base at 12" x 9" x 4" 

Bronze sculpture - #1 in edition of 25

Porcelain & glaze

8" h x 25" w x 15" d

Licia's mastery of porcelain is evident in her free flowing forms full of grace and wonder. 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Kauai, 1978

 

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 30″ w 

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art."

 

Acrylic on canvas - framed

32.5" h x 38.5" w

 

Original watercolor - unframed

30" h x 22" w

Acrylic & oil on paper - unframed

36" h x 24" w

Oil on linen
24” h x 24” w 

"My abstract works veer sharply from the physical word, and find their inspiration by delving into the realm of painting what can only be felt, experienced or thought," shares Julie. "This departure from the landscape is merely a change of focus from looking outward, to looking inward for inspiration. The possibilities are infinite."

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Puna, Hawaii 1986 - before reclaimed by Pele

 

Painted Paper Collage on Panel
36" h x 24" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

Acrylic and gold leaf on canvas
36” h x 24” w

"Two great stones once stood in the valley of Nu‘uanu on Oahu. These were said to represent the goddesses Hapu‘u and Kala‘iola. The goddesses were known to possess mysterious powers; they were guardians of Nu‘uanu Valley. “Akua no ka pali,” gods of the precipice” 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Hawaii 2015

 

Film photograph, darkroom processed with sepia toner in koa frame
Image 20" h x 16" w

Framed at 29" h x 25" w

 

 

Original watercolor - unframed

22" h x 30" w

 

Original watercolor - unframed
61" h x 45" w (each section is 30" h x 22" w)

Vibrant and full of life, the beautiful hibiscus is captured in this dramatic piece by Patrice Federspiel. 

Acrylic & olena pigment on canvas 

36" h x 48" w 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Puako, Hawaii 1985

 

Hawaiian koa wood and resin colorflow painting in integral sapele wood frame
36″ h x 24″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, it inspired a new series."

 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Society Islands, 1981

 

Oil on linen 
30” h x 30” w

"I am inspired by the interplay of light on the landscape, which is ever elusive and always changing," shares Julie. "Painting softly allows me the opportunity to recreate that one particular special moment when the land, light and atmosphere seamlessly fuse.

Reflecting a serendipitous moment in time can be, however, a deceivingly slow and deliberate process. My work in oils involves applying layers upon layers of paint, and is highly influenced by my early classical training- particularly the study of light on form. Each landscape is painted in transparent passages with up to 40 layers of paint in order to recreate the subtle play of light on the landscape and control the incremental changes in tonality."

Original oil on canvas on panel
30" h x 30" w

 

Elegant abstraction. How does it make you feel?

Original watercolor - unframed

20" h x 33" w

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Kalapana, Hawaii 1979 - before reclaimed by Pele

 

Acrylic on canvas - diptych

30" h x 60" w (30" x 30" each)

Acrylic & olena pigment on canvas 

36" h x 48" w 

Film Photograph with Sepia Toner
Printed on Canvas - Unframed
36" x 36"

 

Acrylic on canvas 

40" h x 30" w 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Kauai, 2005

 

Gallery wrapped giclee on canvas - stretched and ready to hang
Created from a darkroom processed, film photograph

Printed to order. Please allow 2 - 3 weeks for delivery.

"We visited a Christmas pageant in Kauai in 1987. This photo reminds me of the transition we all experience with the passage from juvenile to adolescent to adult. The little face framed by the older girls’ arms exhibits a longing to graduate to her next level. What a wonderful smile," shares Cathy.

Painted Paper Collage on Panel
18" h x 36" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

"My friend’s yard has a large protea bush right at the entry. I’d never really noticed it before," shares Mary. "Generally, it’s kind of leggy–lots of branches, not a lot of leaves–so I wondered why it was prominently featured. In November I happened to be there and the shrubby bush had been transformed. Pink flowers everywhere!"

Acrylic and gold leaf oil marker on canvas - diptych

30" h x 48" w (30" x 24" each)

Acrylic & olena pigment on canvas 

48" h x 36" w 

Acrylic on canvas 

24" h x 36" w 

Etching - Oil on Japanese Silk with 23K gold leaf trim
32" h x 32" w  with black float frame

The silk surrounding the image has been painted with Jacquard pearlescent fabric paint which is permanent and lightfast. It gives the silk a luminescent look while still showing the texture of the silk. The piece represents the circle of Life and was inspired by the feeling Jim had upon bringing his father to Hawaii.

Hawaiian koa wood and resin colorflow painting in integral sapele frame
30″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

 

Hawaiian koa wood and resin colorflow painting in integral sapele frame
30″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

 

Shellac, india ink, acrylic, oil on hand wood-grained paper - unframed

10" h x 8" w

Ethereal and light, Carol Bennett's women in water are reflections of her own passion for the ocean and her daily practice of spending time in it. 

Oil on canvas in white frame
24" h x 36" w

There are perhaps as many as 300 species worldwide in the genus Hibiscus. However, ma`o hau hele (Hibiscus brackenridgei) is found only in Hawai`i and federally listed as an endangered species. According to botanist David Lorence, “Hibsicus brackenridgei has been adopted as the official state flower of Hawai`i.  Showy blooms of brilliant chrome yellow first catch the eye. [The species has] five delicately creped petals and a column of stamens tipped by five stigmas."  The plant was once found on all the main islands except Ni`ihau and Kaho`olawe, but is threatened by alien animals, fire and weeds. - Melissa Chimera

Acrylic, olena pigment, and gold leaf oil marker on canvas - diptych

30" h x 48" w (30" x 24" each)

Acrylic and gold leaf on canvas
36” h x 24” w

"An old legend tells of Maikoha, a farmer who lived in Nu‘uanu Valley. At that time, people of old did not have kapa to clothe themselves; they bore the driving rains of Nu‘uanu without the benefit of kapa as protection. Upon his death bed, Maikoha grew weary of the cold. To his daughters he foretold a plant that would grow from his grave. He instructed them to use this plant to make kapa from its inner bark. As prophesied, the wauke plant grew from his burial place. Maikoha’s daughters followed his guidance and learned the ways of kapa-making. From this, the wauke plant spread throughout the islands and the methods to make its bark into the finest kapa were learned. So renowned was his gift of wauke that Maikoha became known as the chief ‘aumakua of the kapa makers: Maikoha, the Kapa-Maker’s God." - Heidi Buscher

Acrylic on canvas - unframed
24" h x 36" w

My five-year old, Sofia, asked me a question while we were visiting Kukio Beach, “Is the ocean a girl or a boy?”

I thought about it. In French, “la mer” is feminine and means the sea. “L’océan” is masculine for ocean.

Sofia said, “I think it’s both, a girl where it’s shallow and the water is transparent and a boy when it gets deep and darker.”

The Makai Series explores the masculine and feminine components of the ocean, the ying and the yang, positive and negative energies intermingling, the empty space between objects, the calm space before the wave... There can be no light without dark, no movement without positive and negative forces.

Acrylic on canvas - unframed
23.5" h x 42" w

My five-year old, Sofia, asked me a question while we were visiting Kukio Beach, “Is the ocean a girl or a boy?”

I thought about it. In French, “la mer” is feminine and means the sea. “L’océan” is masculine for ocean.

Sofia said, “I think it’s both, a girl where it’s shallow and the water is transparent and a boy when it gets deep and darker.”

The Makai Series explores the masculine and feminine components of the ocean, the ying and the yang, positive and negative energies intermingling, the empty space between objects, the calm space before the wave... There can be no light without dark, no movement without positive and negative forces.

Acrylic on canvas - unframed
27" h x 48" w

My five-year old, Sofia, asked me a question while we were visiting Kukio Beach, “Is the ocean a girl or a boy?”

I thought about it. In French, “la mer” is feminine and means the sea. “L’océan” is masculine for ocean.

Sofia said, “I think it’s both, a girl where it’s shallow and the water is transparent and a boy when it gets deep and darker.”

The Makai Series explores the masculine and feminine components of the ocean, the ying and the yang, positive and negative energies intermingling, the empty space between objects, the calm space before the wave... There can be no light without dark, no movement without positive and negative forces.

Acrylic on canvas - unframed
40" h x 36" w

My five-year old, Sofia, asked me a question while we were visiting Kukio Beach, “Is the ocean a girl or a boy?”

I thought about it. In French, “la mer” is feminine and means the sea. “L’océan” is masculine for ocean.

Sofia said, “I think it’s both, a girl where it’s shallow and the water is transparent and a boy when it gets deep and darker.”

The Makai Series explores the masculine and feminine components of the ocean, the ying and the yang, positive and negative energies intermingling, the empty space between objects, the calm space before the wave... There can be no light without dark, no movement without positive and negative forces.

Acrylic on canvas - unframed
20" h x 60" w

Can be hung vertically or horizontally.

My five-year old, Sofia, asked me a question while we were visiting Kukio Beach, “Is the ocean a girl or a boy?” 

I thought about it. In French, “la mer” is feminine and means the sea. “L’océan” is masculine for ocean.

Sofia said, “I think it’s both, a girl where it’s shallow and the water is transparent and a boy when it gets deep and darker.”

The Makai Series explores the masculine and feminine components of the ocean, the ying and the yang, positive and negative energies intermingling, the empty space between objects, the calm space before the wave... There can be no light without dark, no movement without positive and negative forces.

Acrylic on canvas - diptych

36" h x 72" w (36" x 36" each)

Acrylic on paper (4 parts) with white linen mat and white shadowbox frame

82.5" h x 31.5" w (can be hung vertically or horizontally)

Please contact for oversized shipping quote.

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboards are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

Through his work we become ocean explorers ourselves.

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Puna, Hawaii

 

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Hawaii 2011

 

Acrylic on canvas with black float frame

72" h x 25.25" w

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboards are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes of boards, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Gallery wrapped giclee on canvas - stretched and ready to hang - created from
Film Photograph, darkroom processed

Printed to order. Please allow 2 - 3 weeks for delivery. 

Hilo, Hawaii 1994

 

Original watercolor - unframed

22" h x 30" w