Mixed-media

Hawaiian koa wood and resin colorflow paintings in integral sapele frames
48″ h x 30″ w  each

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art."

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

Please contact for oversized shipping quote.  

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 36″ w 

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, it inspires me to continually explore ways to share it." 

 Please contact for oversized shipping quote.

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 36″ w 

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, it inspires me to continually explore ways to share it." 

Resin colorflow painting with linen liner and custom anigre frame
45" h x 81" w 

Please contact for oversized shipping quote. 

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 30″ w 

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art."

Hawaiian koa wood and resin colorflow painting in integral sapele frame
30″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

Hawaiian koa wood and resin colorflow painting in integral sapele frame
30″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

Resin colorflow painting on panel in integral sapele frame
48″ h x 48″ w

Created for the Brand New Blue Show, this piece features YinMn Blue as the primary color.

Please contact for an over-sized shipping quote.

38” h x 46” w

Acrylic, pastel, & spray paint on canvas
36" h x 48" w

"The WIPEOUT Series expresses the muted sight of the wave's energy during a wipeout," says Bailey. "It's timed chaos that can pass in a few seconds and it can be a spiritual experience. The artworks communicate the feeling of being underwater, fast and active, in a non-spatial relationship to what is up or what is down.

"The Wipeout Series: A surfing wipeout is a metaphor for life and the chaos/uncertainty/powerlessness that can inevitably arise, and this is certainly true during the COVID-19 pandemic. Both surfing and life's challenges take courage, knowledge, and trust. Sometimes you fall, and when you do, know there may be unpleasant turbulence. Relax, hold your breath, and let it pass. Eventually, you will emerge. The wipeout is the most vulnerable part of surfing, and this series celebrates having the courage to fall."

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art."

Please contact for oversized shipping quote.  

Acrylic, pastel, & spray paint on canvas
48" h x 36" w

"The WIPEOUT Series expresses the muted sight of the wave's energy during a wipeout," says Bailey. "It's timed chaos that can pass in a few seconds and it can be a spiritual experience. The artworks communicate the feeling of being underwater, fast and active, in a non-spatial relationship to what is up or what is down.

"The Wipeout Series: A surfing wipeout is a metaphor for life and the chaos/uncertainty/powerlessness that can inevitably arise, and this is certainly true during the COVID-19 pandemic. Both surfing and life's challenges take courage, knowledge, and trust. Sometimes you fall, and when you do, know there may be unpleasant turbulence. Relax, hold your breath, and let it pass. Eventually, you will emerge. The wipeout is the most vulnerable part of surfing, and this series celebrates having the courage to fall."

Acrylic and gold leaf on canvas
53” h x 30” w

Acrylic on canvas
40” h x 30” w

"Anaeho'omalu Bay, in one telling of the mo’olelo (story), was named after young princess from Puna who made her way across the island with her sister, Puako. They both settled at the places named after them. This work is part of the Purple Mountain series–a study of the mauka to makai ahapua’a on the Big Island of Hawaii. Anaeho’omalu, or “A Bay” as it is commonly known, inspired this work with the mountain in the distance." - Heidi Buscher

Acrylic and gold leaf on canvas
36” h x 24” w

"Two great stones once stood in the valley of Nu‘uanu on Oahu. These were said to represent the goddesses Hapu‘u and Kala‘iola. The goddesses were known to possess mysterious powers; they were guardians of Nu‘uanu Valley. “Akua no ka pali,” gods of the precipice” 

Acrylic and gold leaf on canvas
36” h x 24” w

"An old legend tells of Maikoha, a farmer who lived in Nu‘uanu Valley. At that time, people of old did not have kapa to clothe themselves; they bore the driving rains of Nu‘uanu without the benefit of kapa as protection. Upon his death bed, Maikoha grew weary of the cold. To his daughters he foretold a plant that would grow from his grave. He instructed them to use this plant to make kapa from its inner bark. As prophesied, the wauke plant grew from his burial place. Maikoha’s daughters followed his guidance and learned the ways of kapa-making. From this, the wauke plant spread throughout the islands and the methods to make its bark into the finest kapa were learned. So renowned was his gift of wauke that Maikoha became known as the chief ‘aumakua of the kapa makers: Maikoha, the Kapa-Maker’s God." - Heidi Buscher

Acrylic and gold leaf on canvas
40” h x 30” w

Shellac, India ink, acrylic, and block printing ink on paper - unframed

42" h x 42" w 

Please contact for oversized shipping quote.

Hawaiian koa wood and resin colorflow painting in integral sapele frame
72″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

Please contact for oversized shipping quote.  

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 30″ w 

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art."

Hawaiian koa wood and resin colorflow painting in integral sapele frame
72″ h x 48″ w

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art. This collection was inspired by the drive along the Gold Coast–the colors, and movement of this beautiful cruise."

Please contact for oversized shipping quote.  

Acrylic and oil on wood panel

35.5" h x 35.5" w 

Acrylic and oil on wood panel

35.5" h x 35.5" w 

Shellac, india ink, acrylic, & oil on Dacron sail

48" h x 50" w 

Shellac, india ink, acrylic, oil, spray enamel, block printing ink,  & art resin on wood panel

108" h x 36" w (three sections)

The Story Sticks: by Carol Bennett 

It occurred to me that surfing, like other daily practices, is always the same yet always different. Conditions, the tide, vibe in the water, and time of day vary–actually the only thing that is consistent is the surfboard itself, and if that surfboard could talk it would have stories to tell.

This is one of my three monolithic “Story Stick” triptychs, that I made anticipating my room at the Surfing Hawaii Exhibition, at the Maui Cultural Center. 

My son rides a $100 Costco Wave Storm, which I used for my template, so what you see is true to size. While I used a multitude of processes and materials, I wanted the dominate hit to be graphic. I carved big linoleum blocks, and a polka dot roller, my intent was to have patterning that is reminiscent of old school Hawaiian shirts and surf posters: Tommy Bahama meets Endless Summer. 

Shellac, india ink, acrylic & oil on wood panel

30" h x 40" w 

Shellac, india ink, and acrylic on wood panel

24" h x 24" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Shellac, india ink, & oil on wood panel

60" h x 36" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Shellac, india ink, & acrylic on wood panel

36" h x 60" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Acrylic, oil & varnish on wood panel

32" h x 60" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Acrylic, oil & artist resin on wood panel

46" h x 46" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Etching - Oil on Japanese Silk with 23K gold leaf trim
32" h x 32" w  with black float frame

The silk surrounding the image has been painted with Jacquard pearlescent fabric paint which is permanent and lightfast. It gives the silk a luminescent look while still showing the texture of the silk. The piece represents the circle of Life and was inspired by the feeling Jim had upon bringing his father to Hawaii.

Etching - Oil on Japanese Silk with 23K gold leaf trim
33" h x 34" w  with black float frame

Heartbeat represents just that, a heart and soul and all of life's complications that go along with it.

Acrylic & oil on paper - unframed

30" h x 24" w

Shellac, india ink, acrylic, & oil on wood panels

11.5" h x 99.5" w 

Acrylic & oil on paper - unframed

36" h x 24" w

Shellac, india ink, acrylic, oil on hand wood-grained paper - unframed

10" h x 8" w

Ethereal and light, Carol Bennett's women in water are reflections of her own passion for the ocean and her daily practice of spending time in it. 

Tropical ash, mango, maple, bloodwood, ebony, milo & paint in koa frame

25” h x 43” w

Wenge wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

Hawaiian koa wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

Padauk wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

Hawaiian koa wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

Mango wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

Resin colorflow painting in integral sapele frame
24″ h x 36″ w

Exploring the endless horizon, Timothy documents the beauty of the contrast between the deep blue ocean and light blue sky.

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 36″ w can be hung vertically or horizontally

The circles were turned on a lathe and the strips of koa were steam bent to create the separations of color.

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, it inspires me to continually explore ways to share it." 

Mango wood and resin colorflow painting on wood & aluminum panel - 9 piece set
15.5″ h x 15.5″ w each (48" x 48" overall)

Exploring the chapters in our lives through this series, Timothy Allan Shafto captured the beauty of summer and mango season in this mixed-media work. Featuring mango wood along the left side, and resin colorflow painting, the pieces are edged in white for a clean, crisp, look. Each is hung individually to create the whole. 

 Silver oak, maple, poplar, mango & paint

Koa, maple & paint

 Tropical ash, maple, poplar, milo burl & paint