Play

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w  with black frame

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. Surfboard fins, stuck in the reefs, became a favorite find along with other objects of human life. 

But collecting them wasn’t enough.

These reclaimed pieces are then used to create one-of-a-kind works of art using a modern interpretation of the ancient art form of Gyotaku. Using acrylic paints and carefully constructed color palettes, Mark dips his reef finds into the paint and then presses it onto paper—memorializing the piece, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

 

Acrylic on canvas with black float frame

72" h x 25.25" w

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboards are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes of boards, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on canvas - unframed
75" h x 48" w

Can be hung vertically or horizontally.

Please contact for oversized shipping quote.

Acrylic on canvas - unframed
40" h x 75.5" w

Can be hung vertically or horizontally.

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 30″ w each (94" w overall)

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, and it creates such a striking element in the art."

 

Acrylic on canvas - unframed
48" h x 75" w

Please contact for oversized shipping quote. 

Acrylic on canvas - unframed
40" h x 75.5" w

Can be hung vertically or horizontally.

Please contact for oversized shipping quote.

Acrylic on paper (4 parts) with white linen mat and black shadowbox frame

82.5" h x 31.5" w (can be hung vertically or horizontally)

Please contact for oversized shipping quote.

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboards are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“Hōlualoa Bay is a historic spot in Kona," shares Mark. "The name means "long slide" in the in Hawaiian from the long trail that went from a forest on the slopes of Hualālai (where the village is now), to a site where the logs were made into canoes into this bay where a large royal building complex was built over several centuries. There were rumors of an ancient tiger shark that called this place home for much of my childhood, we braved the wave anyway. So fun, but always dark and spooky.."

Through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper (4 parts) with white linen mat and black shadowbox frame

82.5" h x 31.5" w (can be hung vertically or horizontally)

Please contact for oversized shipping quote.

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboards are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes of boards, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Painted Paper Collage
40" h x 30" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

Acrylic on canvas with black float frame

103" h x 26" w

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

"This gyotaku style surfboard was made using a 442 model shaped by Hap Jacobs in 1961. A family heirloom, I couldn’t resist taking this 9 ft board out as an over eager teenager in the late 90’s—and promptly dumped it nose first into the reef. It lived in the garage rafters for 25 years before I resurrected it and began using it as the base for a new set of paintings." - Mark Ley

Please contact for oversized shipping quote.

Shellac, india ink, acrylic & oil on wood panel

30" h x 40" w 

 

Shellac, india ink, and acrylic on wood panel

24" h x 24" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Acrylic, oil & varnish on wood panel

28" h x 32" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Shellac, india ink, & oil on wood panel

60" h x 36" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Shellac, india ink, & acrylic on wood panel

36" h x 60" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Acrylic, oil & varnish on wood panel

32" h x 60" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Acrylic, oil & artist resin on wood panel

46" h x 46" w 

Carol Bennett’s ethereal and light “women in water” are reflections of her own passion for the ocean and her daily practice of spending time in it. They’ve inspired her to explore fishing nets and knots, abstract fish patterns, surfers and stand up paddlers. Her background working in Hollywood as a journeyman scenic artist, painting billboards and backdrops for theater, motion picture and TV has led her to create grand-scale public works in glass that can be found in Hawaii State Art Museum, Honolulu International Airport, Hawaii Convention Center, Beverly Hills Hotel, Harrah’s Casino, and many more. She’s had numerous museum shows and continues to create her wide variety of work from her home and studio on Kauai. 

Porcelain & glaze

8" h x  13" w x 9" d

Licia's mastery of porcelain is evident in her free flowing forms full of grace and wonder. 

Sculpted clay with paint

12" h x 16" w x 16" d

Doesn't she just bring a smile to your face? It's all about the expressions and Janet Lipps mastery of clay and form certainly shows. She just wants to follow you home and take another nap.

Sculpted clay with paint

12" h x 5" w x 6.5" d

Doesn't he just bring a smile to your face? It's all about the expressions–and Janet Lipps mastery of clay and form certainly shows. 

Sculpted clay with paint

16" h x 24" w x 16" d

Doesn't he just bring a smile to your face? It's all about the expressions and Janet Lipps mastery of clay and form certainly shows. He just wants to follow you home.

Original watercolor - framed
16.5" h x 35" w

This lovely painting received an award in the Hawaii Watercolor Society's annual exhibit in Honolulu.

Original watercolor - unframed

22" h x 30" w

Collage on Panel
14" h x 11" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

 

Original collage on watercolor paper
11" h x 11"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. Surfboard fins, stuck in the reefs, became a favorite find along with other objects of human life. 

But collecting them wasn’t enough.

These reclaimed pieces are then used to create one-of-a-kind works of art using a modern interpretation of the ancient art form of Gyotaku. Using acrylic paints and carefully constructed color palettes, Mark dips his reef finds into the paint and then presses it onto paper—memorializing the piece, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

 

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Shellac, india ink, acrylic, & oil on wood panels

11.5" h x 99.5" w 

 

 Oil on linen - diptych

Acrylic on paper

11" h x 14" w image matted at 16" h x 20" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

11" h x 14" w image matted at 16" h x 20" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Collage on Panel
14" h x 11" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

Collage on Panel
14" h x 11" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
22.5" h x 25"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Painted Paper Collage on Panel
36" h x 48" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

Painted Paper Collage on Panel
36" h x 24" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

Sculpted clay with paint

13" h x 16" w x 18" d

Janet Lipps mastery of clay and form certainly shows in this one-of-a-kind octopus. He gracefully perches on the edge of a table just wants to follow you home.

Maple, ash, koa, milo, mango,  & paint

36" h x 24" w

Silver oak, mango, maple, shell, & paint

8.25" h x 10" w

Pushing the boundaries of traditional marquetry, David Reisland creates amazing images from wood, then airbrushes transparent paints over the top. 

Piece will be similar to the piece pictured.

Sculpted clay with paint

12" h x 16" w x 16" d

Doesn't he just bring a smile to your face? It's all about the expressions and Janet Lipps mastery of clay and form certainly shows. He just wants to follow you home and lounge.

Blown and carved glass by Jonathan Swanz

2 part sculpture

7” h x 18” w x 13” d