Surprise

Painted Paper Collage on Panel
18" h x 36" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

"My friend’s yard has a large protea bush right at the entry. I’d never really noticed it before," shares Mary. "Generally, it’s kind of leggy–lots of branches, not a lot of leaves–so I wondered why it was prominently featured. In November I happened to be there and the shrubby bush had been transformed. Pink flowers everywhere!"

Painted Paper Collage on Panel
18" h x 36" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

"My friend’s yard has a large protea bush right at the entry. I’d never really noticed it before," shares Mary. "Generally, it’s kind of leggy–lots of branches, not a lot of leaves–so I wondered why it was prominently featured. In November I happened to be there and the shrubby bush had been transformed. Pink flowers everywhere!"

Original collage on watercolor paper
11" h x 11"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
11" h x 11"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
17" h x 5"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
17" h x 5"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Tropical ash, mango, maple, bloodwood, ebony, milo & paint in koa frame

25” h x 43” w

Hawaiian koa wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

Wenge wood and resin colorflow painting in integral sapele frame
24″ h x 16″ w

Inspired by the idea of the events we celebrate in life, Timothy created a week's worth of Retirement ties. 

 Silver oak, maple, poplar, mango & paint

 

Hawaiian koa wood and resin colorflow painting in integral sapele frame
48″ h x 36″ w can be hung vertically or horizontally

The circles were turned on a lathe and the strips of koa were steam bent to create the separations of color.

"Honoring the wood feels important to me," says Tim. "The color and figure of koa is so rich and diverse, it inspires me to continually explore ways to share it."