Small

Original watercolor - unframed
Image size 15" h x 22.5" w

A stunning original watercolor by Patrice Federspiel, full of rich, warm colors that evoke mystery and beauty. Ready to frame. 

Acrylic on wood panel - framed

24" h x 24" w

Tracy graduated from the Ringling School of Art and Design in Sarasota, Florida with a BFA in 1986. During the spring of 1988, she made her first visit to Maui, leaving the crowds and heat of South Florida for a 3 month windsurfing vacation. Within a few days she knew Maui would be her new home. Living on the north shore, she explores the rugged landscapes and waters with her paintbrush, paddle board and OC1 (outrigger canoe). 

Nature and the outdoor world are Tracy’s main inspiration for her calm and thoughtful works. The glimpse of a twisted uprooted tree, patterns formed by the wind, water currents and the ever inspiring waves provide almost endless creative material. Colors and patterns, often unexpected, combined with skillful rendering invite a path to viewing the natural world with a unique focus. 

Tracy currently paints with oils, acrylics on canvas or wood panels and the occasional watercolor.  She also works in many forms of original printmaking including hand pulled color lithographs, aquatint etching, woodblock and mono printing.

Original watercolor, unframed
15" h x 11" w

Oil on canvas
24” h x 24” w

Oil & acrylic on canvas
24" h x 36" w

 

Oil & acrylic on canvas
24" h x 36" w

 

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Original watercolor - unframed
Image size 22" h x 15" w

A stunning original watercolor by Patrice Federspiel is ready to frame. 

Original watercolor - unframed
Image size 22" h x 15" w

A stunning original watercolor by Patrice Federspiel is ready to frame. 

Original watercolor - matted and framed
Image size 15" h x 22.5" w

A stunning original watercolor by Patrice Federspiel, full of rich, warm colors that evoke mystery and beauty. 

Original watercolor - unframed
Image size 15" h x 22" w

"Feeling a bit bereft as “shelter in grace” orders first occurred in March 2020, a sketch for this painting appeared in my journal while I doodled and talked to a friend," shares Patrice. "I’d been wondering what I’d want to paint next. Suddenly this idea appeared. Eureka! Space & rest are needed for new ideas to appear. TRUST is always required."

Original watercolor, unframed
15" h x 11" w

Original watercolor, unframed
15" h x 11" w

Original watercolor, unframed
15" h x 11" w

"The Ti plant was brought to Hawaii by the Polynesians as a source of food," shares Patrice. "Then known as “Ki,” the plant was considered sacred to Lono, the Hawaiian God of Fertility and Laka the Goddess of Hula. The plant was used as a symbol of high rank and power. Because it was thought to have the ability to ward off evil spirits, it was often used as a border plant to protect homesteads. Today this graceful flowering plant comes in varieties of colors. It grows tall in gardens of homes and businesses throughout Hawai`i."

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Acrylic on paper

14" h x 11" w image matted at 20" h x 16" w 

Growing up on Hawaii Island, Mark Ley has spent every spare moment in the ocean. Diving, surfing and exploring. When his daughter came along, he shared his love of the ocean with her and over the years, his ohana developed their own form of treasuring hunting. They scour the reefs and beaches, gathering the bits and pieces left behind by other ocean explorers. And surfboard fins, stuck in the reefs, became a favorite find.

But collecting them wasn’t enough.

These reclaimed surfboard fins are then used to create one-of-a-kind works of art. Using acrylic paints and carefully constructed color palettes, Mark dips the fin into the paint and then presses it onto paper—memorializing the board, the special time with his family, and cleaning the reefs—all while providing us with original works of abstract art.

“There’s an incredible scope of shapes and sizes of fins, each with its own story and genre,” shares Mark, and through his work we become ocean explorers ourselves.

Collage on paper in koa frame
11" h x 11" w artwork

Full of rich textures, this cheerful work is part of a limited series. 

Collage on paper in koa frame
11" h x 11" w artwork

Full of rich textures, this cheerful work is part of a limited series. 

Original watercolor - unframed
Image size 15" h x 22" w

"You have probably heard the phrase “…like squeezing blood from a turnip”" shares Patrice Federspiel. "Did you ever stop to think about what it might look like to squeeze blood from a turnip? Or how silly the thought of doing so really is?

The idea of being frugal is in vogue these days. Hopefully, my image of this American colloquialism will bring a smile to your face."

Shellac, india ink, acrylic, oil on hand wood-grained paper - unframed

10" h x 8" w

Ethereal and light, Carol Bennett's women in water are reflections of her own passion for the ocean and her daily practice of spending time in it. 

Original collage on watercolor paper
17" h x 5"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
17" h x 5"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
17" h x 5"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
17" h x 5"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
11" h x 11"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
11" h x 11"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original collage on watercolor paper
11" h x 11"

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Collage on Panel
14" h x 11" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

 

Collage on Panel
14" h x 11" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again.

 

Collage on Panel
14" h x 11" w

The process of collage takes Mary’s work into a new dimension. The use of Mary’s hand painted papers and additional hand made papers from around the globe create interesting texture and exaggerated movement in these collages. The effect is a visual cross between painting, mosaic and block printing. Light and color and shape taking flowers and water and landscapes to the edge of abstraction and back again. 

Original watercolor, matted and framed
23" h x 19" w

Image size 15" h x 11" w

"Nature is the Master — I hope to learn to emulate her through observation and imitation," shares Patrice. "This painting reflects the intention of being more visible in the world. Whether it be the world of family and friends, or the broader world in general, stand in the sunlight of your being and shine brightly. This is how we become the light we need to see and feel."

Original watercolor - framed
11.5" h x 9.5" w

 

Original watercolor - framed
10.5" h x 9.5" w

 

Original oil  - framed with linen liner

12" h x 9" w

This sweet original oil takes you to the Pololu Valley lookout.

Original watercolor - framed
26" h x 21.5" w

"Ulu (Breadfruit) grows on enormous trees with beautiful green leaves. The fruit is very starchy, but it takes on the flavor of whatever seasonings you use. They’re wonderful when smoked over an open fire," shares Patrice.

"The title, Second Chances, refers to the second chance at a longer life offered to these leaves through my painting."

Film Photograph
Unframed
20" x 16"
December, 2009.

While walking at her son's home in Keokaha, an early morning Hilo rain provided moisture for an indigenous, scarce, white Hawaiian hibiscus. The rain drops were beautiful.

Please allow two weeks for shipment. Each piece is still processed in a dark room.

Film Photograph, Darkroom Processed
Framed
16" x 16" | 24" h x 23.5" w

This image of a TV screen, taken in 1977, became more poignant as the years progressed. At the time, she didn't realize the historical significance related to her art. This conception is now an eternal symbol of Cathy passion.